Object Lessons #26 & #27

by Stephen Kobasa | September 3, 2009 6:09 PM | | Comments (3)

Coppedge.JPGNat Coppedge (untitled), ink, 2009

Isaac Canady, Teepee, colored ink, 2009

Stilt walkers and guitarist are not the only performers to find their way to city streets. A walk down Commercial in Provincetown with its offerings of sidewalk portraits and henna painting is celebratory evidence of busker art, made for immediate exchange. We have our own good examples here in New Haven. I met Nat Coppedge, a self-described “hypercubist,” in a Chapel Street coffee shop, with sheets of “abstract calligraphy” in black scattered on the table in front of him, along with pamphlets of lyrically opaque meditations on language.

Canady2.jpgIsaac Canady’s work is perhaps more familiar, as he moves from a Starbucks front window to a Broadway sidewalk to Edge of the Woods. His profuse and mutating forms are like blueprints for an imaginary universe, each one full of his pleasure at their making







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Comments

Posted by: john | September 4, 2009 10:25 AM

at risk of pointing out the obvious, isaac's are also, um, rather reminiscent of certain female anatomy, shall we say. (not terribly prevalent in the pic above.) never been sure what to make of that.

Posted by: Bill Saunders | September 4, 2009 12:37 PM

John,

Does your beholder's eyes see the female anatomy in the bark of tree trunks as well?

Posted by: jawbone | September 4, 2009 1:54 PM

John,
You said exactly what I was thinking. The man has got something on his mind...not that that is a bad thing necessarily.

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