New Haven Independent

There can be something of grace to imperfection, as in the deliberately flawed work of certain Japanese potters. This is the way to resist the arrogance of the eternal. Natural objects serve as cautionary tales, fragile as they are, their beauty an imposition of our vocabulary. This spiraling Nautilus shell set in concrete like the hoax of a fossil, is a comic meditation on ideal form, paired with a plaster Gothic king. There are chunks of amethyst similarly set on the landing above this one, as unexpected as rhinestones on a queen’s throat. The walls are pocked with hammer blows that mimic the disdain of gunfire. Paul Rudolph made sure that every surface of this building was marred by hand. During its recent restoration, one small section of the cast exterior was found untouched, and left that way. Now that perfect is become a mistake.

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Object Lessons #26 & #27
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