by Allan Appel | May 19, 2017 2:16 pm | Comments (8)
Sarah Stewart turns out oil-on-linen paintings in the factory complex that once turned out erector sets for the nation — and now New Haven’s zoning rules are catching up with the economic transformation there.
Continue reading ‘Zoners Match Erector Square With Reality’
by David Sepulveda | Apr 7, 2017 7:29 am
A roundtable meeting of the Arts Industry Coalition — a group of area arts organizations, arts leaders, and stakeholders organized by The Arts Council of Greater New Haven and hosted by the Community Foundation for Greater New Haven in its offices on Audubon Street — discussed what can be done to save the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH), and what might be done if they are dissolved, as a current budget proposal from the Trump administration suggests they could be.
Continue reading ‘Arts Organizations Push Back on NEA Cuts’
by Brian Slattery | Mar 30, 2017 10:25 pm
Chad Herzog, the International Festival of Arts & Ideas’s interim co-executive director and director of programming, stood on the stage in a large room on the first floor of Alexion, on College Street. Before him, artists and filmmakers mingled with bankers and civic leaders. A countdown clock projected on the wall that looked more like something for a sports event — maybe a nod to March Madness? — had just run out. Herzog was on stage to announce A&I’s lineup for 2017.
Continue reading ‘A Festival Soldiers On’
by Lucy Gellman | Mar 30, 2017 12:02 pm
Lindsey Bauer — or maybe it was some version of her former self, or maybe someone else — strode toward a cluster of dancers. She stepped forward. Stepped back. Stepped forward. Kellie Ann Lynch held up a hand and looked at the group, breaking a building tension.
“Do we need a little more up, down?” she asked, her arms swinging as she spoke. Bauer nodded as if to say, yeah, let’s try that. A moment later, she was pushing violently against members of the group — and then she was airborne.
Continue reading ‘At Elm City Dance Collective, You Meet You’
by Lucy Gellman | Aug 16, 2016 4:40 pm
• Anti-Harries retired educators.
• Derby Mayor Anita Dugatto.
• Yvonne Davis.
• Dance teacher Shari Caldwell.
• Rapper Ceschi Ramos.
Continue reading ‘Today On WNHH’
by Daniela Brighenti | Jul 22, 2016 8:15 am
Ruel Dixon works as a behavior analyst for Middletown’s public schools. In the afternoons, he gets to change out of his work clothes, put on his large-soled boots and step for what he calls it “the love of the art.”
Continue reading ‘Omegas Heading To Vegas For The Step Crown’
by Lucy Gellman | Jun 24, 2016 7:02 am
In “First Word,” a silent solo that follows Tyondai Braxton‘s “ArpRec1,” acclaimed dancer Wendy Whelan rediscovers her body: Her arms, that have carried so many classical performances, are now unbound. Her long, dextrous torso reaches forward and snaps back. Her legs—how they bend so violently when asked!—delight in new configurations. Even her huge eyes, deeply expressive when they catch the light, convey a profound sort of reeducation. When fellow dancer Brian Brooks joins her onstage for an exercise in impossible synchronicity, it’s all that the audience can do to try to not blink, lest they miss something.
Continue reading ‘Whelan Has A Way With “Words”’
by Lucy Gellman | Jun 23, 2016 7:07 am
Wendy Whelan and Brian Brooks have a message for New Haveners: Reinventing yourself should never stop, and should never feel completely comfortable. For Whelan, who gave her pointe shoes to Brooks sometime after retiring from the New York City Ballet (NYCB) two years ago, that sense of self-renewal is vital — and she wants to share it widely, through movement.
While that phase of her career began long before New Haven, there’s now a chapter of it in the Elm City, where she and Brooks arrived earlier this week to familiarize themselves with and rehearse on the Shubert Theater’s well-loved stage. Thursday and Friday night, they will appear there in the world premiere of Some Of A Thousand Words, a collaboration with the New York-based quartet Brooklyn Rider that takes off where Whelan and Brooks’ 2012 project Restless Creature ended. Where Restless Creature, a series of sketches, was danced to Brooklyn Rider’s take on several 20th-century composers, particularly Phillip Glass, Some Of A Thousand Words includes an original composition from the group’s violinist, who will perform onstage with the duo. The performance takes place as part of the International Festival of Arts & Ideas.
Continue reading ‘Louder Than “A Thousand Words”’
by Lucy Gellman | Jun 22, 2016 7:25 am
Just six or seven minutes into Pied à terre, dancer Yang Hao did something that the audience, bracing for a kinetic performance, may not have expected: He lay down. Prone, pressed right up against the floor as if totally exhausted. As if his body brought with it an immeasurable weight. The room fell into total silence. Everything up to this point had focused in on minute, measured but powerful gestures: the flick and flutter of fingers, clean snapping of wrists, arch of his back against his rolled shoulders. Was this an early admission of defeat, or something else?
Continue reading ‘Yang Hao Dances The In-Between’
by Lucy Gellman | Jun 16, 2016 7:40 am
Even before the first strains of Kendrick Lamar’s galvanizing “Alright” fell over the stage, company dancers from Abraham.In.Motion were taking a stand, and then some, on the evolving politics of black identity.
Behind them, footage of protests rolled across a linen scrim, priming the audience for what was to come. The video died down as the music ramped up. The dancers’ bodies jerked violently, choppily, as they made their way across the stage. Arms soared upward, long fingers catching in the light. Faces turned toward the audience, then back toward the stage, launching into untethered motion as the number of dancers grew.
Continue reading ‘Peaceful Protest Finds New Feet’