They Danced On The Green All Night

Lucy Gellman Photo Svenja Wacker is trying to teach her daughters Stella and Luna that it’s OK to move to their own rhythms. So when she found out that a big, public dance lesson was rolling into town, she didn’t miss a beat. Or in this case, a one-two step. She scooped up her daughters into the car, and drove right for downtown New Haven.

Saturday evening, Wacker joined hundreds of others who flocked to the New Haven Green for a massive dance lesson hosted by Alisa’s House of Salsa and the International Festival of Arts & Ideas (A&I).

Priming the city’s new stage — and the audience — for musical acts Troker and Fulaso, salsa instructor Alisa Bowens-Mercado whizzed through the basics of salsa, bachata, cumbia, and merengue, making dancers out of even the crowd’s most hesitant.

“One, two, three, hip,” Bowens-Mercado cried from the stage. “One, two, three and hip! You are officially dancing bachata!” (Bachata is a style of music that originated in the Dominican Republic.)

Wacker soaked in the directions from the front of the stage. She said she doesn’t like dancing, but wouldn’t have skipped the event even if it had rained all Saturday afternoon (it stopped just in time for the event). Joining hands with Stella and Luna, she stepped from side to side, applauding as Stella worked in an impromptu spin. Her husband Zac Elston bounced from foot to foot beside them, pumping his arms and raising them over his head as a bachata version of the Ben E. King classic “Stand By Me” hit its chorus.   

“I want to teach them that it doesn’t matter if you’re good or bad or you suck, you just gotta enjoy it,” Wacker said, unbuckling the black straps on her sandals as she spoke. “I can’t wear these, I wanna dance!” she said as music bubbled up for the next song. 

Just an arm’s length away, Nivia Mendez was mastering the same bachata steps, adding a wave-and-shimmy combo with one arm while finishing chocolate-studded ice cream with the other. A friend she had come with, Cynthia Boll, had just mastered bachata as the music faded again, and Bowens-Mercado announced that the group was going to transition to samba.

“I love this!” she said.

“All right, here we go!” Bowens-Mercado shouted into the mic. Bruno Mars’s “Uptown Funk” crackled over the speakers. “One, two, three, four. Front back, and we walk! Let’s do it again!” Before her, the crowd had grown from around 20 at 5:45 p.m. to over 100. And it was still growing, with people streaming into the green with lawn chairs, towels, picnic baskets and bottles of water, juice and wine.

Inching closer to the stage as Mars pronounced don’t believe me just watch!, New Havener Karla Neugberger worked her steady hands up her mother Nancy Durnholz’ biceps, holding onto her as the two rocked to the music, dissolving into laughter ever other verse. The two had come together to slip into Durnholz’ past life as a dancer, Neugberger said.

The music melted into a pulsing remix Luis Fonsi’s “Despacito”. Neugberger and Durnholz took hands, and began to pound out dance steps over the still-damp grass. Tengo que bailar contigo hoy, Fonsi and Daddy Yankee sang over the speakers. 

Closer to the center of the green, fellow mother-daughter pair Nilsa and Olga Nieves had joined hands to the song, closing their eyes as they danced. Around them, the crowd continued to grow. 

So did Kimberly and Bobbi Lawrence, who took salsa lessons with Bowens-Mercado before the event, and said they didn’t want to miss an opportunity to get another lesson.

Other families had come out as a chance to let their youngest members learn a few moves before they were even walking. With eyes glued to his older brother Qiyao Wang, Lucas Wang got his first salsa lesson from his grandfather’s arms. 

“Okay, this is our last one!” Bowens-Mercado said as a Latin version of Coldplay’s “Clocks” crackled over the speakers for the last number. “Join hands with your neighbor.”

From the stage to the flagpole on the green, groups of friends and new acquaintances held hands, bodies linked in new configurations as they bobbed to the music. Across the green, members of the still-growing crowd joined hands and began to sway, some employing new salsa moves.

“One heart, one love, one people, one truth,” Bowens-Mercado said, looking out over the crowd.

A smattering of applause went up into the air as the song wound down. Bowens-Mercado and fellow dancers took their bows, and left the stage. An assistant came out to ready the sound system for Fulaso. And in the silence and rising sound of chatter, a few people kept dancing on their own. 

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posted by: THREEFIFTHS on June 18, 2017  5:26pm

“One, two, three, hip,” Bowens-Mercado cried from the stage. “One, two, three and hip! You are officially dancing bachata!” (Bachata is a style of music that originated in the Dominican Republic.)

How come no talk about AFRICAN INFLUENCE IN THE LATIN MUSIC: SALSA, MERENGUE, BACHATA?

African musical instruments consist of drums, slit gongs, internal and external rattles, as well as string instruments. African Music is another form of communication and expression. Music is played for religious ceremonies, marriges, births, funerals, politics and also to tell stories. The djembe is a west African drum made of wood and is headed on one side with the shaved skin of a goat, antelope, or cow. Drums Dejembe Ashiko The Ashiko, commonly used throughout sub-saharan Africa, originating in Nigeria is made from a tree trunk and is headed with goat skin, elk skin or deer skin. Slit Drum A slit drum is a hollow percussion instrument, made out of wood. The slit drum is usually struck with mallets. Shekere A Shekere is a dried hollow gourd covered on the outside with nets of seeds, beads, shells, or any other avaliable materal. Sound Travels The atlantic slave trade began in the sixteenth century deporting Africans to North and South America. On the long journey from Africa to the Latin America loaded with Africans, music was a useful mean of expressing their sadness and pain. Even though Hundred of thousands Africans were taken away from their native land, their traditions were forever embeded deep within their souls.AFRO LATIN AMERICANS Many Latin Americans are bi’racially mixed with black African. The term Afro Latin American is used to refer to the African cultural elements practiced in the Latin American society such as, religion, music, language, art, and social class.

https://prezi.com/obktu5p3wyel/copy-of-african-influence-in-the-latin-music-salsa-merengue-bachata/

posted by: Rich Pizzo on June 19, 2017  7:27am

I liked Lisa Bowen’s dance instruction very much. The crowd caught on more and more. And the number of spectators got up and started moving.  The only thing missing was a dance floor for the audience to dance on…... Why have dance instruction/ and not provide a dance floor? Dance Floors do not cost that much.  The crowd was very enthused about dancing.  and that was NOT followed by a lot of people dancing after the dance class..  I did appreciate very much the fence being gone all around the front of the stage….. More dance instruction, Dance bands! and one big 40x40 ft dance floor please!

Why is a dance floor on the green taking so long to materialize?