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Thomas Breen |
Mar 22, 2024 3:58 pm
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(9)
New Haveners can start casting early ballots in person (but not for very long) next week for the first time — even if this particular vote might not have much at stake.
The election is a Democratic and a Republican presidential primary. Officially the primary takes place April 2. But Connecticut is embarking on a newly approved plan to allow some days of early voting, which begins next Tuesday.
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Brian Slattery |
Mar 22, 2024 11:08 am
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(2)
The Yale University Art Gallery’s show “Munch and Kirchner: Anxiety and Expression” — running now through June 23 on the gallery’s fourth floor at 1111 Chapel St. — begins with a moment at an art gallery over 100 years ago that feels like it could happen today, or any time. In 1912, the text relates, there was a “monumental exhibition of modern art” in Cologne, Germany that “aimed to illustrate how the most cutting-edge groups of the day drew inspiration from the work of a slightly older generation.” That big-tent approach, however, turned out to be fraught.
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Brian Slattery |
Mar 21, 2024 11:44 am
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(1)
Sandy Clafford’s trio of paintings take over the space near the window of the Institute Library’s upstairs gallery for the show “Look Book” — running now through May 23 in the Chapel Street library, with an opening reception tonight. They make a bold fashion statement, though not one that follows easy rules.
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Thomas Breen |
Mar 20, 2024 2:51 pm
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(8)
Lenox Street tenants union members joined hand in hand — or, at least, sign in sign — with labor and renter advocates to demand that megalandlord Ocean Management do what they did on Blake Street, and come to the collective bargaining table.
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Nora Grace-Flood |
Mar 19, 2024 4:25 pm
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(5)
Mother and daughter Hinasta L and Celeste Burrell left Family Dollar with Rockin’ Protein, hand sanitizer, period pads and heavy hearts — as they prepared for potential closure of the only store in the city keeping their pockets lined with more than lint.
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Brian Slattery |
Mar 15, 2024 10:10 am
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(1)
A group of women are talking together in a garden, under the shade of a tree. In the patterns of their speech, their ability to finish one another’s sentences, it’s clear they’ve been friends for years. But their conversation is about nothing serious. It’s just a way to spend an afternoon. Suddenly there’s a piercing sound, a blinding light, and the stage is plunged in darkness, the tree suddenly a stark silhouette against a roiling background. From one of the women, we get a report of calamity, of mass death, utter mayhem. The lights blind again, and we return to the sunlit garden, the four women still just talking as though nothing has changed. But something has changed.
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Nora Grace-Flood |
Mar 14, 2024 9:45 am
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(9)
Tenants of the Emerson Apartments returned to their residence after work Wednesday evening — not to wind down from the day, but to wind up their landlords’ energy to make their homes habitable again.
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Brian Slattery |
Mar 13, 2024 9:59 am
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(4)
On Tuesday evening City Hall resounded with beats, verses, and reminiscences, as spoken-word artist Sharmont “Influence” Little was proclaimed New Haven’s first poet laureate.
A local tech CEO and ascendant “patron of downtown New Haven” plans to undertake a multimillion-dollar renovation of the Union League Cafe’s historic home — after buying the Chapel Street property from Yale for more than $4.3 million.
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Leo Slattery |
Mar 11, 2024 10:25 am
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(1)
A lone child in a Rubik’s Cube hoodie stood in the middle of the small black box space at Witch Bitch Thrift on Saturday night, trying and failing with a kendama, a Japanese wooden ball and stick toy. Around him, people trickled in in groups of two or three, ready to see folk-punk acts Apes of the State, Myles Bullen, and Lars and their Lilac Ukulele.
The band members socialized, waving to the people they recognized and smiling and introducing themselves to those they didn’t. Everyone was dressed for the occasion: a sea of Doc Martens, work boots, and old sneakers. Pants, mostly black, usually dotted in patches of the wearer’s favorite bands. The magnum opus, an Apes t‑shirt from a previous tour. April, lead singer of Apes of the State, seemed equal parts flattered and fascinated by the appearance of her decade-old merch. The most diehard of fans wore battle jackets, a punk tradition of sewing handmade patches of bands onto a denim coat. The battle jackets at this particular show almost all had Apes of the State on them. It was standing room only, save for a chair left in the corner that people piled coats under. The chair itself remained empty, as if for Elijah the prophet.
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Karen Ponzio |
Mar 8, 2024 9:50 am
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Thursday night the Yale Film Archive added two new jewels to their Treasures series: a new 35 mm print of Daisies, the 1966 Czech New Wave film directed by Vera Chytilova, and a new 16 mm print of End of the Art World, the 1971 documentary made by Alexis Krasilovsky while she was a senior at Yale. Celebrated with a free screening at the Humanities Quadrangle, the event was made even more special by the presence of filmmaker and writer Krasilovsky, who introduced the films and participated in a Q&A afterward.
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Nora Grace-Flood |
Mar 7, 2024 5:11 pm
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(11)
Hot Pot is the name and aim of Hu Ping-Dolph’s latest New Haven revelation: a sit-down soup joint at 68 Whitney Ave. offering a steamy reprieve from the cold season.
A local champion of entrepreneurial equity has been chosen to to lead the New Haven-focused “Center for Inclusive Growth” that Yale promised to build in 2021 — and now will start trying to define two years later.
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Karen Ponzio |
Mar 4, 2024 9:20 am
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“My husband doesn’t want to dance with me,” filmmaker Tomas says to Agathe, who’s fresh off a breakup with her boyfriend. “I’ll dance with you,” she says. She does. What comes after is a sort of dance between Tomas, Agathe, and Tomas’s husband Martin in Passages, the latest film from acclaimed writer and director Ira Sachs that was screened as part of the Yale Film Archive’s Treasures From the Archive series this past Friday night.
It was another special occasion there for two reasons: One being that the film was shown in 35 mm — the only copy of it in existence, made especially for YFA — and two being that Sachs himself, a 1988 graduate of Yale, would be there for the screening and participating in a Q&A afterward.
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Brian Slattery |
Mar 1, 2024 10:23 am
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(0)
New Haven hip hop pioneer DJ Terrible T had some pointed questions for his audience at the Hall of Records at 200 Orange St.
“What are we going to leave behind? What is hip hop going to mean to this little girl right here?” he asked, gesturing toward an audience member. “We can sit up here and talk about who we’ve been and who we DJed and how long we did it. But if we don’t leave a permanent, positive impression on our future — our children — what have we really accomplished?”
The work of excavators mixed with officials’ visions of bustling downtown blocks Wednesday as New Haven started rebuilding a new stretch of State Street — or rebuilding a version of the old one.
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Nora Grace-Flood |
Feb 26, 2024 9:29 am
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(13)
The city’s fifth tenants union has formed, marking the first time New Haven residents have organized formally to bargain with a property owner that isn’t megalandlord Ocean Management.
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Brian Slattery |
Feb 23, 2024 9:20 am
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(0)
New Haven Theater Company’s production of Cry It Out, by Molly Smith Metzler, is a finely tuned performance of a play about early motherhood that starts light and ends with surprising, affecting depth. It runs Feb. 23, 24, 29, and March 1, 8, and 9 at the company’s space inside EBM Vintage, 839 Chapel St.
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Brian Slattery |
Feb 22, 2024 9:41 am
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(1)
A giant squid seems to erupt from the floor of the gallery. Not far away, another wooden figure, more abstract, takes on a shape that could be leaning into the wood’s natural form and could have deviated far from it; from the finished product, it’s hard to say. Close by, there’s an abstract canvas with the contours of a cityscape, the hulking buildings rising from streetlights into darkness, all of it reflected in water. Unifying these works — by William Kent and Leo Jensen — are both the aesthetic sense of the era in which they were created and a more universal spirit of exploration. They’re what happened when the artists making them tried new things.
by
Paul Bass and Laura Glesby |
Feb 16, 2024 2:54 pm
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(25)
A developer has revived the idea of building a hotel, rather than apartments, on the vacant lot that once housed Webster Bank. The city gave him some extra time to decide.
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Brian Slattery |
Feb 16, 2024 9:28 am
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(0)
Shaunda Holloway’s Nature’s Children greets viewers as soon as they enter the second floor of the gallery at Creative Arts Workshop. Over the shoulder of that piece, Aisha Nailah’s HERstands ready, like an ally. From the doorway, it’s easy to see that the pieces in the show, by multiple artists, share affinities in form and color, as well as subject matter. The diversity of the voices is vast. But they’re all in the same cause together.
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Brian Slattery |
Feb 14, 2024 9:23 am
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(1)
On the walls of Atticus on Chapel Street, just above diners’ heads, is a row of mixed-media artworks that brighten and enrich the space, making it feel both more vibrant and more homey. But a closer look suggests complication, symbolism, layers of meaning.
As accompanying labels explain, the pieces are loaded with significance. The first encapsulates a prayer from the culture of the Huichol in Mexico for health, home, and a long life. In the second piece, the flower — associated with the Aztec deity Huitzilopochtli — was used to remedy fever and burns. The third represents the Aztec and Mayan god Quetzalcoatl and his abilities as a seer. It only gets richer from there.
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Donald Brown |
Feb 14, 2024 9:07 am
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(0)
The 56th season of the Yale Cabaret, the audacious theater in the basement of 217 Park Street on Yale’s campus, is called “Sandbox.” The Cab’s team for the 2023 – 24 season — co-artistic directors Doaa Ouf, a projection designer, and Kyle Stamm, a lighting designer, both in their second year at the David Geffen School of Drama at Yale, and managing director Annabel Guevara, now completing her fourth year in theater management at DGSD — said “the mission of Cab 56 is to create theater that invokes a sense of curiosity and playfulness, giving artists permission to dig and unearth treasures within themselves.”